![]() The influence is hard to miss: He’s first appearance in the film takes the form of an unnerving interrogation that he conducts. He is reminiscent of Hans Landa, the Nazi antagonist from Quentin Tarantino’s Inglourious Basterds. So much so that one Chinese critic described it as “the inside pages of GQ magazine pretending to be a film.” Better served by the script is Tony Leung. Hidden Blade is a film that showcases Wang Yibo smoking, dressing, standing, looking at himself in the mirror, and walking around with his hands in his pockets. The precisely framed, meticulous camerawork, including some striking aerial shots of war-torn cities, provides a visual feast that one can expect from a big-budget Bona Film Group production.īut the real eye candy lies, of course, in the actors. Two sequences, featuring a dog running around during a bombing in Guangzhou and Japanese soldiers brutally executing Chinese workers, call to mind memorable equivalents in Schindler’s List. They include costume designers and stylists who worked on Lust, Caution and Hong Kong arthouse filmmaker Wong Kar-wai’s (王家卫 Wáng Jiāwèi) In the Mood for Love, as well as the cinematographer of the highly-acclaimed Chinese remake of 12 Angry Men. It largely succeeds in that goal thanks to a stellar production team. As can be seen from the trailer, the film strives for a pensive, moody atmosphere through its cinematography, music, and cast. With a current score of 6.7 out of 10 on review platform Douban, its page on the website displays a message that notes the highly polarized nature of audience reviews thus far. Timed to the occasion when millions visit cinemas over a weeklong Spring Festival holiday, the film opened in China last month to much fanfare and even more controversy. The narrative jumps back and forth between 1938, 1941, and 1945, while the larger story unfolds as Communist agents turn to subterfuge to take down the hated occupying force and their puppet government in China. Instead, full recruits receieve a brand of the symbol of the Brotherhood on their left ring finger, which can easily be covered up by gloves or a large ring.For what it’s worth, the film doesn’t fixate on the characters’ political identities for the most part, and Cheng keeps the audience guessing. ![]() Not requiring Assassins to cut off their fingers not only strengthened their grip, it was much easier to hide from prying eyes. In Ezio's era, the Assassins had taken the more practical method of redesigning the device so that the blade is deployed in front of the palm. This necessarily weakened the grip of their left hand, but Assassins were taught to compensate. In Altair's time, the hidden blade had an almost religious significance to the Brotherhood of Assassins upon reaching full membership in the Brotherhood, an Assassin's left ring finger is amputated halfway down, to leave a gap in their fingers where the blade will protrude when the mechanism is activated. The 'Hidden Blade' is a signature of the Assassin's Creed series, where it is used by both Altair and Ezio Auditore, as well as their descendants Connor Kenway and Desmond Miles. The 'Hidden Blade' is a tight gauntlet that wraps around a person's left forearm, with a complex mechanism inside that deploys a short, incredibly sharp blade for use in quietly killing an individual.
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